History
Carvings in the Khajuraho temple area in India depict daily life and some also recreate positions detailed in the Kama Sutra. Khajuraho invokes the mind, Fires the imagination. Hundreds of miles from civilization, deep in the hinterlands of central India where the tiger still has its own domain and where the depths of the forests hold their own secrets are a small clearing. Here: a village, modest by any standards; a tank, ambitiously called a lake; groups of ancient emples, some in ruins. For most people, Khajuraho continues to remain an
enigma, a quest in the arena of world art. What is the significance of its temples? What pattern did they fit into in the ancient past, and why were temples used as an art gallery? Were these temples religious in nature? If so, how does one justify the presence of some of the most graphic representations of sexual scenes the world has ever known? Art historians have tried for years to seek a solution to the mystery of Khajuraho, but all attempts to do so must eventually be reduced to conjecture, for there are no records to reveal the purpose for the building of these temples. Perhaps we will never know; However, Khajuraho will continue to draw homage from travellers and art lovers, as it has done ever since its revival.


Main Attraction
The temples are grouped into three geographical variance : western, eastern and southern.

Western Variance
The Western group is the best known, because it is to this group that the largest and most typical Khajuraho temple which belongs to the Kandariya Mahadev. Perfectly symmetrical, it soars 31 km high.

Kandariya Mahadev
This is the largest, and most typical Khajuraho temple. There are about 900 statues. Dedicated to Lord Shiva, it soars 31 m high. The sanctum enshrines a lingam, while the main shrine is ornately carved and depicts various gods, goddesses, apsaras (heavenly maidens) in elaborate detail. The entrance arch, the massive pillars and ceilings are adorned with exquisite carvings, that leave the visitor spellbound. Beyond the archway of the Kandariya Mahadev, lie the six interior compartments; the portico, main hall, transept, vestibule, sanctum and ambulatory. The ceilings are particularly noteworthy and the pillars supporting them have intricately carved capitals. The transept's outer walls have three horizontal panels showing deities of the Hindu pantheon, and groups of lovers, a pageant of sensuousness, vibrantly alive.

Chaunsat Yogini
The oldest surviving temple in the group (900 A.D.), this is the sole granite temple dedicated to Goddess Kali. Only 35 of the original 65 cells remain and no image of Kali has survived : not surprisingly, since this is the earliest surviving shrine of the group dated to 900 AD. Another Kali temple, which was originally dedicated to Lord Vishnu, is the Devi Jagdambe temple.

Chitragupta Temple
Dedicated to the sun-god, Surya, this temple faces eastwards to the rising sun. The inner sanctum boasts of an impressive image of the presiding deity - the majestic sun-god looming 5 feet high, and driving a chariot. The other group scenes depict royal processions, group dances and other scenes of sheer luxury, typical of the Chandela court-life.

Vishwanath Temple
The temple enshrines a three-headed image of Lord Brahma. Lions guard the northern entrance to the structure, while elephants flank the southern flight of steps that lead upto it. The exteriors are profusely carved, and facing the shrine is a Nandi Temple with a massive, 6 ft high Nandi bull.

Lakshamana Temple
The lintel over the entrance of this temple dedicated to Lord Vishnu, shows the holy trinity of Brahma, Vishnu and Shiva with Goddess Lakshmi, Vishnu's consort. The sanctum is adorned with a three-headed idol of Vishnu's incarnations, Narasimha and Varaha. The latter, the boar incarnation also appears as a nine-feet high statue at the Varaha Temple.

Matangeshwara Temple
This temple, which happens to be outside the precincts of the western group, is dedicated to Lord Shiva. It boasts of an eight feet high lingam. It is still a place of worship. South of this temple is the open air Archaeological Museum, which has a beautiful displayed collection of statues and friezes collected from the area : the remains of long vanished temples.

Eastern Variance
Parsavanatha Temple
The largest in the group of three Jain temples, the Parsavanath image in this temple, was installed in 1860. The sculptures on the northern wall depict everyday activity, in awesome detail. A woman sits bent pensively on a letter, a lovely young girl removes a thorn from her foot, the master craftsmen of Khajuraho display here their deep understanding of the trifles that make up a human life. Within the temple, a throne faces the bull emblem of first tirthankara, Adinath.

Ghantai Temple
This Jain temple has a frieze depicting the 16 dreams of Mahavira's mother, and a multi-armed Jain goddess perched on a winged Garuda.

Adinatha Temple
The last of the Jain temples, is dedicated to the Jain saint, Adinatha, and is gorgeously adorned with sculptures of yakshis among others. The three Hindu temples in this group are the Brahma temple, which has a four-faced lingam, The Vamana temple which is embellished with images of ravishing apsaras at their alluring best; and finally the Javari temple, with its ornate gateway and lavish carvings. A variety of sensuous attitudes : languid, provocative, mischievously inviting, give credibility to the theory that Khajuraho's erotica were meant to test the devotees who came to worship their gods at the temples. 5 km from the Khajuraho village, lies the Southern Group.

Duladeo Temple:
Dedicated to Lord Shiva, the highlights of this temple are the sensuous images of the apsaras, and other exquisite sculptures. Chaturbhuj Temple: This temple sports a huge, elaborately carved image of Vishnu in the sanctum